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Wednesday, March 25, 2015

Visitors requests....maybe you can help out




From now on I'll be using this post for your requests that I'll copy from the Chatbox. I'll do my best to keep it up te date.You may also leave requests, comments  and replies in the usual way and after moderation they will appear. As this posting will drop down the list with every new posting I will update it once a week to insure that it stays visible and near the top. Comments will be deleted regulary to keep them up to date.
Please do not request new or easy to find CD's as they will not be posted here. There are other excellent blogs that can help you out with your request.
That all been said we will have to start from scratch with the requests.

Requested:
01-09-2014 Steve626: Big Joe Turner - The Real Boss of The Blues on Bluestime
07-09-2014 Leroy Slim: VA - Savannah Syncopators (CBS [UK]
12-09-2014: Riley: VA - Orange County Special (Flyright)
15-09-2014: Kempen: Snooks Eaglin: Message From New Orleans (Heritage vinyl)
03-10-2014 Anonymous: Herwin 405 "Cannonball: Piano Ragtime Of The Teens, Twenties & Thirties Vol. 2" and Wolf WSE106/WBCD-006: James "Yank" Rachel: Complete recordings in chronological order Vol. 1 (1934-38)
03-10-2014: Aunt Fin: New Orleans Willie Jackson ‎– 1926-1928, Old Tramp ‎– OT-1215
03-10-2014 Fabio: CC Richardson - Blues Of The City (Blue Jay) & I Ain't Got Nothing But The Blues
10-10-2014 Anonymous: Down Home Slide – Testament record
14-10-2014 Anonymous: Memphis Slim - 'If The Rabbit Had a Gun LP
17-10-2014 Sanma Bluesandroll:  Wade Walton: Shake Em On Down" Bluesville LP BV 1060
19-10-2014 Anonymous: Screamin' Joe Neal - Rock & Roll Deacon
26-10-2014 Anonymous: Big Bill Broonzy – Lonesome Road Blues LP
12-12-2014 Luis Lisboa: Willie Dixon & Johnny Winter – “Cryin’ The Blues”
14-01-2015 Anonymous: Beale Street Mess Around (Revival / Rounder)
27-01-2015 Sam Blues: Big George Brock LP call "Should Have been there".
Litlte mack simmons religious works (70' lp's)
22-02-2015: Pablow: Harmonica Frank Floyd: Blues That Made The Roosters Dance (Barrelhouse)
03-03-2015: Anonymous: Cash McCall's - Omega Man (Paula)
03-03-2015 Marineband: San Francisco Blues Festival [1976]
Jefferson Records BL-602 (1977).

Sunday, March 22, 2015

AFBF & Gospel Festival '69 Tour Programme


As I just scanned this for someone I thought some of you might like the PDF as well.

Post: http://www14.zippyshare.com/v/rN87Kbxc/file.html

Willie J. Foster - At Home With The Blues


Willie James Foster, known around his home of Greenville, Mississippi as the "Godfather of The Blues", says, I am the blues from the bottom of my foot to the hair on my head. I was born in the blues, raised in the blues and lived the blues.
Willie Foster was born Sept. 19, 1921 on a cotton sack four miles east of Leland while his mother was picking cotton. After that experience she was never able to have any more children. His family share cropped and made about $100 a year. He bought juice harps at age 5 or 6 and made a diddley bow on the side of the house. Bought his first harmonica for 25 cents he saved from carrying water to the fields for two weeks at age seven. With no sisters or brothers he helped his family farm and shared cropped from age 7 to 17 often with sacks tied on his feet for shoes. He only got to attend school until fourth grade and later years only when it rained and he couldn’t go to the field.

At age 17 Willie migrated north to Detroit where he worked in the auto industry. During WWII, he joined the army and was sent to Europe. There he played his harmonica for Joe Louis and Betty Grable at a show in London for the soldiers.

Willie had heard Muddy Waters in jukes in Mississippi but met him in Chicago. Willie and his three piece band from St.Louis often toured with Muddy's band.

He came back to Mississippi in 1963 to take care of his dad who was involved in a severe car accident. He worked around the Delta and started playing jukes around Holly Ridge, Indianola, and Greenville.

Midge Marsden , a New Zealander, heard Willie in 1991 while visiting the Mississippi Delta and invited him to play there for three months. Willie's career started to take off after his return home. Since then he has played over seas several times and all over the United States with his band "The Rhytmn and Blues Upsetters."

Willie Foster can be heard on Palindrome Records,"My Life" and RMD Music, Willie J. Foster, "At Home With The Blues". His latest CD with The Rhytmn and Blues Upsetters is "Live At Airport Grocery" on Mempho Records.
(taken from http://deltaboogie.com/deltamusicians/fosterw/)

Post: http://www48.zippyshare.com/v/B4f9yOT0/file.html

Dr. Ross - Call The Doctor

Isaiah "Doc" Ross was a throwback to a bygone era; a true one-man band, he played harmonica, acoustic guitar, bass drum and high-hat simultaneously, creating a mighty racket harking back to the itinerant country-blues players wandering the Delta region during the earlier years of the 20th century. Born Charles Isaiah Ross on October 21, 1925 in Tunica, Mississippi, he took early inspiration from the music of Robert Johnson, Blind Boy Fuller and Sonny Boy Williamson I; primarily a harpist -- hence his nickname "The Harmonica Boss" -- he only added the other instruments in his arsenal in order to play a USO show while a member of the army during World War II. (The "Doc" moniker was acquired because he carried his harmonicas in a doctor's bag.) Upon his release from the military, Ross settled in Memphis, where he became a popular club fixture as well as the host of his own radio show on station WDIA; during his club residency he was witness to a number of brutal murders, however, and swore off appearances in such venues during the later years of his life. During the early 1950s, Ross recorded his first sides -- among them "Chicago Breakdown" -- for labels including Sun and Chess; in 1954 he settled in Flint, Michigan, where he went to work as a janitor for General Motors, a position he held until retiring. In 1965 he cut his first full-length LP, Call the Doctor, and that same year mounted his first European tour; as the years passed Ross performed live with decreasing frequency, however, and was infamous for backing out of shows to catch his beloved Detroit Tigers on television. Upon winning a Grammy for his 1981 album Rare Blues, he experienced a career resurgence, and played festival dates to great acclaim prior to his death on May 28, 1993.

Post: http://www48.zippyshare.com/v/6qSr2ZgW/file.html

Frits's Tapes Number 103 & 104


Tape 104: http://www48.zippyshare.com/v/0XtBjeZ1/file.html


 

Tape 103: http://www48.zippyshare.com/v/qEjzVEw5/file.html

Wednesday, March 18, 2015

Jimmy Dawkins - Transatlantic 770


Though some reports have suggested he has been hard to work with, Dawkins' "Transatlantic 770" nevertheless is a blistering guitar driven Chicago blues affair. Yes, there are horns but they are definitely brushed to the site and do not overtake (as can usually happen) as Jimmy's sharp, stinging electric leads plow their way through effectively throughout this platter. Most tunes are given a slight 70's funk feeling and ballads such as "Think twice before you speak", "The mighty hawk" & "Love and understanding" either use strings or keys (instead of horns) to accompany them which really helps avoid such banal arrangement difficulties. It may seem as though there is not much extended improvisation (though Dawkins comes close on "All for business") but it is not as apparent as other such albums lacking in this department as Jimmy's guitar work is so impressive that one can enjoy the many short lead breaks here just as much as if they had been stretched out a little more. Catchy tunes abound as half the album surprisingly includes Dawkins originals, five to be exact. My favorite parts are the real upbeat numbers like the rocking "Stone dead" and the lightning speed of the closing "No more trouble" which has a very busy bass line job for Bob Brunning but he keeps up the pace tremendously here. This probably doesn't touch the best of it's genere but it sure can't be far off that level.

Post: http://www73.zippyshare.com/v/CdUDPhfm/file.html

Sunday, March 8, 2015

Various - Blues Is Here To Stay

Collection of singles released on the Styletone label in the 60's to early 70's from Model T Slim, Ironing Board Sam and Little Boyd. Some interesting tracks from Ironing Board who is a bit of a cult blues musician, the usual from Model T.
Released in 1973.

Post: http://www67.zippyshare.com/v/79694471/file.html




Blues Is Here To Stay !!
Oldies But Goodies ..!
The Best Of Model T Slim, Little Boyd, Ironing Board Sam

Model T Slim
- Somebody Done Voodo That Hoodo Man
Little Boyd
- 13 Highway [Styletone 395] #
Ironing Board Sam
- I've Been Used
Model T Slim
- 15 Years My Love Was In Vain
Little Boyd
- Harmonica Crying In The Chappel [] [Styletone unissued] #

Ironing Board Sam
- Non Support That What The Judge Say
Model T Slim
- Flatfoot Sam Always In A Jam [tk. 1]
Little Boyd
- Bad Man [sic] Don't Live Too Long [Styletone 400] #
Model T Slim
- Oh Babe [faded early]

Thank you goes to Stefan Wirz.

Johnny Woods - So many Cold Mornings


Harmonica player Johnny Woods was born in 1917 in Looxahoma, Mississippi. Woods' amazing musical skills, like his sometime partner Mississippi Fred McDowell began to receive notoriety in the late 1960s. A self-taught harmonica-player, Woods developed his technique, which relied upon rhythmic figures, by adapting the field hollers he heard people sing while working farmland near his home. Woods was at his best when performing solo on So Many Cold Mornings and Going Up The Country, or playing a typical one-chord traditional Mississippi piece such as Long-Haired Donkey (also known as My Jack Don't Need No Water), which he recorded with both McDowell and R.L. Burnside. Johnny Woods died in 1990 in Olive Branch, Mississippi.
( Centre For Southern Folklore)

Post: http://www78.zippyshare.com/v/BiUax88d/file.html

Jimmy McCracklin - Blast 'Em Dead


McCracklin grew up in Missouri, his main influence on piano being Walter Davis (little Jimmy's dad introduced him to the veteran pianist). McCracklin was also a promising pugilist, but the blues eventually emerged victorious. After a stint in the Navy during World War II, he bid St. Louis adieu and moved to the West Coast, making his recorded debut for the Globe logo with "Miss Mattie Left Me" in 1945. On that platter, J.D. Nicholson played piano; most of McCracklin's output found him handling his own 88s.
McCracklin recorded for a daunting array of tiny labels in Los Angeles and Oakland prior to touching down with Modern in 1949-1950, Swing Time the next year, and Peacock in 1952-1954. Early in his recording career, McCracklin had Robert Kelton on guitar, but by 1951, Lafayette "Thing" Thomas was installed as the searing guitarist with McCracklin's Blues Blasters and remained invaluable to the pianist into the early '60s.
By 1954, the pianist was back with the Bihari Brothers' Modern logo and really coming into his own with a sax-driven sound. "Couldn't Be a Dream" was hilariously surreal, McCracklin detailing his night out with a woman sent straight from hell, while a 1955 session found him doubling credibly on harp.
A series of sessions for Bay Area producer Bob Geddins's Irma label in 1956 (many of which later turned up on Imperial) preceded McCracklin's long-awaited first major hit. Seldom had he written a simpler song than "The Walk," a rudimentary dance number with a good groove that Checker Records put on the market in 1958. It went Top Ten on both the R&B and pop charts, and McCracklin was suddenly rubbing elbows with Dick Clark on network TV.
The nomadic pianist left Chess after a few more 45s, pausing at Mercury (where he cut a torrid "Georgia Slop" in 1959, later revived by Big Al Downing) before returning to the hit parade with the tough R&B workout "Just Got to Know" in 1961 for Art-Tone Records. A similar follow-up, "Shame, Shame, Shame," also did well for him the next year. Those sides eventually resurfaced on Imperial, where he hit twice in 1965 with "Every Night, Every Day" (later covered by Magic Sam) and the uncompromising "Think" and with "My Answer" in 1966.
McCracklin's songwriting skills shouldn't be overlooked as an integral factor in his enduring success. He penned the funky "Tramp" for guitarist Lowell Fulson and watched his old pal take it to the rarefied end of the R&B lists in 1967, only to be eclipsed by a sassy duet cover by Stax stalwarts Otis Redding and Carla Thomas a scant few months later. Ever the survivor, McCracklin made a string of LPs for Imperial, even covering "These Boots Are Made for Walkin'" in 1966, and segued into the soul era totally painlessly. Latter-day discs for Bullseye Blues prove that McCracklin still packed a knockout punch from behind his piano -- no matter what his birth certificate says.

Post: http://www78.zippyshare.com/v/rYEYhrvB/file.html

Frits's Tapes Number 101 & 102




Tape 101: http://www78.zippyshare.com/v/cN7alotl/file.html



Tape 103:  http://www78.zippyshare.com/v/U6xRJtZC/file.html

Some of you will have noticed that Tape 101 track 5 " Spiderman - Black Night Is Falling" is missing. Got lost while digitizing the tapes so if anyone has it and can share that would be welcome.